![]() Issa Rae plays a hugely successful author whose new book, ![]() “American Fiction” is scattered in a variety of mildly interesting, conflicting thoughts with storylines that go every which way. Much of that is because these earlier offerings better wrestle with the complexities of Blackness with fuller formed characters. Jackson’s incisive critique of Tyler Perry’s trope-filled stories in Broadway’s “ A Strange Loop ” or Spike Lee’s 2000 blackface satire “Bamboozled,” you know this conversation.Īnd each of those - even “ The Other Black Girl ,” which is far from perfect - is at least more interesting than much of what “American Fiction” becomes. If you’ve watched Robert Townsend take aim at the white gaze in 1987’s “ Hollywood Shuffle ,” Michael R. It does this, though, by also becoming the very thing it excoriates: a soulless story that is entertaining just enough for white people to be in on the joke, but offers very little for the rest of us looking for punchier, more thoughtful and certainly more inventive fare. His new film, which premiered at this year’s Toronto International Film Festival, is a pithy, self-aware and hypercritical satire about how mainstream (read: white) media favors racial stereotypes in storytelling over any other portrayals of Blackness. Cord Jefferson, writer-director of “American Fiction,” evidently understands this.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |